All new! 100% previously unreleased video footage of Club 1821's most popular models of all time, including Simon Rex. Erotic magazine photographer Brad Posey selects new scenes of his favorite models from his private collection. See some of Club 1821's very best models as you've never seen them before - intimate and unscripted.

Ferdinand is a long-standing employee at Fish Land, the aquatic centre within the globalised leisure complex "Worlds Apart". He's a small, bald forty year-old, and a solitary, anxious introvert, entirely devoted to his passion for fish. But Ferdinand's obsessive little existence is turned upside down the day Fish Land closes down for six months of renovation. He is transferred to another section of "Worlds Apart", the Finnish-Turkish Delight spa, entirely geared towards the pleasure of saunas and steam rooms. Ferdinand is suddenly thrown into a world of nudity, sensuality, relaxation and letting go... In short, everything he could possibly be afraid of! HOT HOT HOT is the belated journey of initiation of an inhibited little man, who slowly but surely learns to open up to the pleasures of life. It paints a colourful yet sensitive picture of a world caught between artificiality and authenticity, between norm and peculiarity.

Russian pop stars are flying to Baku for the "Heat" festival. Among them is Dasha Steklova, a talented debutante whose fame began with a victory in a popular musical TV show. Dasha doesn't want to play by the rules and craves creative freedom. In Baku, having quarreled with her producer (and also a young man), the girl runs away. In a fabulous city breathing music and sunshine, she is waiting for a lot of adventures and romantic encounters that will help Dasha fulfill her dream and become truly happy.

Primetime special to celebrate 40 years of CANAL+.

Post-apocalyptic drama. Seven strangers appear to be the only survivors of a mysterious, calamitous event: Los Angeles is empty, devoid of people. No sign remains of family, neighbors or coworkers. No spaceship hovers over the city, there are no zombies or flesh-eating viruses. Just seven strangers, who share the same iridescent blue mark on the shoulder, a tiny, precise square of color that wasn't there yesterday. Were they chosen? Or have they been culled? By whom? For what purpose? Their search for answers leads the seven to an even greater mystery. Why do they suddenly feel compelled to leave the safety of the city for an unknown destination? And why does the number 40 exert such power over them? Why are they being drawn towards whatever 40 represents with such compulsion, such longing? 40 is also a Lenten allegory. 40 can stand on its own as a rewarding viewing experience.

A bag full of money lands in front of you. Is it luck? The answer to your prayers? Part of a predetermined plan? Or all of the above? Set in the chaotic streets of Istanbul, 40 is a story of three strangers making their way in a city of 12 million, all searching...for one bag. Shot entirely on location, '40' combines intense story telling with documentary style cinematography embarking on a synchronistic journey dealing with faith, love, luck, destiny, human trafficking...and a bag of cash that falls from the sky.

The show with hot questions and even hotter wings invites a famous guest over to eat and then interviews them while they're struggling through the heat.

Hot metal is a London Weekend Television sitcom about the British Newspaper industry broadcast between 1986 and 1988.The daily crucible, the dullest newspaper in Fleet Street, is suddenly taken over by media magnate Terence "Twiggy" Rathbone. Its editor Harry Stringer is 'promoted' to managing editor, and is replaced in his old job by Russell Spam. Spam then takes the paper shooting downmarket and turns the crucible into a sensation seeking scandal rag, very much in the style of the British tabloids of the 1980s. He is helped along by his ace gutter journalist, Greg Kettle, who intimidates his tabloid victims by claiming to be "a representative of Her Majesty's press" and produces stories such as accusing a vicar of being a werewolf. Throughout the first series, a running plot involved cub reporter Bill Tytla gradually uncovering an actual newsworthy story that went to the very heart of government.Written by David Renwick and Andrew Marshall, it is very much a continuation in style from their previous sitcom Whoops Apocalypse!. It was produced by Humphrey Barclay.